Color Grading
Every shot balanced. Every colour controlled.
Cinematic colour grading for feature films, documentaries, trailers, commercials, broadcast and digital delivery.
Finished in a calibrated reference workflow and prepared to your required colour space and delivery specification.
A look that defines your film.
We build the visual identity of your project shot by shot. Natural, stylised or anywhere in between, skin tones stay true, scenes match cleanly and every frame supports the story.
- Cinematic look development for your project
- Consistent tone and mood across every scene
- Natural, flattering skin tones throughout
- Bespoke creative styles, signed off with you
Prepared to delivery specification.
Your finished grade can be mastered for cinema, broadcast, streaming, social, archive or physical media, with QC checks included where required.
- Theatrical, broadcast and streaming masters
- SDR, HDR10, Dolby Vision and HLG delivery
- Rec.709, DCI-P3 and Rec.2020 colour spaces
- Prepared to broadcaster, streamer and distributor specifications
Colour that travels.
A modern feature ships in many forms — HDR streaming, SDR broadcast, DCI-P3 theatrical and platform-specific derivatives. Each requires careful tone mapping and trim passes so your creative intent survives every screen it lands on.
We grade in a calibrated reference suite using DaVinci Resolve Studio and broadcast-grade monitoring. Every project is finished as an HDR master with full SDR trim passes — so one grade produces all the deliverables you need across cinema, broadcast and streaming.
From upload to delivery.
Conform Project
EDL / XML / AAF conform, VFX integration and source-file checking.
Look Development
Build the master look — exposure, balance, mood — with custom LUTs where needed.
Primary & Secondary
Shot-by-shot primary balance and secondary keying for skin tones and skies.
Master & Trim
HDR master signed off in P3 D65, then SDR Rec.709 trim pass for derivatives.
Everything in one workflow.
HDR Mastering
Dolby Vision, HDR10 and HLG masters with full trim passes for every SDR derivative.
Calibrated Suite
Reference monitoring on broadcast-grade displays for accurate, repeatable results.
Look Development
Custom LUTs and creative looks tailored to your project's narrative tone.
Conform & Finishing
EDL / XML / AAF conform, VFX integration and final master rendering.
DCI-P3 Theatrical
Theatrical grades in P3 D65 / D60 with film print emulation where required.
Multi-Version Delivery
Trims for HDR, SDR, theatrical, broadcast and streaming — all from one grade.
Built for real deliveries.
Streaming Originals
Dolby Vision and HDR10 masters with metadata sidecar for Netflix, Amazon, Apple TV+ and Disney+.
Theatrical Release
DCI-P3 D65 / D60 grades with film print emulation for arthouse and wide releases.
Broadcast & Web
SDR Rec.709 trim passes for BBC, ITV, Channel 4, YouTube and platform-native derivatives.
Common questions.
Do you need to be in the room for grading?
No — we offer remote sessions via secure streaming with calibrated reference displays at your end, or attended sessions in our suite if you're in London.
Can you match a creative reference?
Yes — share reference stills or a sample shot from a film whose look you want, and we'll build a custom look that matches while respecting your footage.
How do trim passes work?
We grade the HDR master first, then build SDR trim passes using Dolby Vision metadata or manual key-framing to ensure your creative intent survives the SDR derivative.
What's your turnaround?
Feature grades typically 2–4 weeks depending on length and complexity. Shorter projects from 3–7 days. Rush turnaround available.